One of the wonderful things about Portlandia - and I'm not just blowing smoke, although I can blow smoke, but I'm not - is that there is an expansive feeling to each segment. It's not reductive. It doesn't seem like sketch comedy.

The Ranger who trained me at the time was [American] Major Buck Kernan, who became Supreme Allied Commander. I hadn't spoken to him in a few years, but he reached out to me and said, "I'm so proud of you."

In the steel-and-glass society that we live in, the value system would be that the lawyer, with the Mercedes and the fine suit and the Ivy League education, was more valued than the minority without the education. But on the island, the rules are changed. It's the person who can make a fire or who can make friends. A kind human soul is valued.

The reason I have managed to get so many shows on television is because I've tried to be authentic. When you're gonna spend millions of dollars to see that come to life, they better believe it's a good idea, A. B, they better believe that the person who's telling the idea is gonna put themselves into this.

I said [to my mom], "I want to go to the parachute regiment." She said, "Whew, that's tough. But okay, I understand."

For each show, we do maybe 15 versions before it goes on air. So I know every show microscopically.

Do I believe the execution will work out? Les Moonves said yes to Survivor based partly upon my show Eco-Challenge. He liked my way of filming outdoors. It was the first use of helicopters on a documentary with the gyro-stabilized lenses. And a certain beauty of filming, allowing the drops to fall from a leaf into a puddle, allowing a spider to weave a web. Taking the breath to allow that to happen rather than showing scene after scene.