I was a kid and it was kind of scabrous, and it wasn't the sacrilege that bothered me so much as the obscenity that challenged a 14-year-old American. But over the years, I came to have a keen appreciation of Charlie Hebdo and what it did.

Fifteen-year-old girls produce children with sixteen-year-old boys in the backseat of cars and in the stairwells of apartment buildings. Why can't two loving adults who have contemplated parenthood and are prepared to offer love, patience, and devotion come up with enough chromosomal matter to stick together and create a child?

Everyone understood [Charlie Hebdo], as people had understood for hundreds of years, knowing that Rabelaisian tradition of French satire, they knew how to read it. And they understood the kind of release from piety that it represented every week.

In journalism, when we want to get a story over the jumps, we refer to it as a universal experience, but it almost never is. There is one universal experience, that's death. That is something we are all going to experience at some distance in the lives of loved ones, strangers and friends, people around us and certainly our own.

AR-15s, in particular, are often called America's gun. They're some of the most popular rifles in the country, especially when it comes to sports shooting.

Murder is easy. Comedy is hard.

Fidel Castro takes up so much space in the Cuban mind. It's hard for us to imagine as Americans - isn't it? - how much of everyday conversation he's dominated for 50 years.