Fidel Castro rhetorically championed the poor. He also held the Cuban economy in a kind of arrested state. He called for racial equality but often cracked down - but did crack down on the press and dissidents and Cuban gays.

I was a kid and it was kind of scabrous, and it wasn't the sacrilege that bothered me so much as the obscenity that challenged a 14-year-old American. But over the years, I came to have a keen appreciation of Charlie Hebdo and what it did.

I became a pedant of the form. I did my graduate work in art history and particularly in the history of French satirical cartooning. And that made me aware of what a rich and resilient tradition this seemingly scabrous sacrilegious magazine still represented in French life.

Fidel Castro rhetorically championed the poor. He also held the Cuban economy in a kind of arrested state. He called for racial equality but often cracked down - but did crack down on the press and dissidents and Cuban gays.

I take Charb's point, but at some point has Charlie Hebdo been trying to have it both ways because some of what they do is not funny.

In journalism, when we want to get a story over the jumps, we refer to it as a universal experience, but it almost never is. There is one universal experience, that's death. That is something we are all going to experience at some distance in the lives of loved ones, strangers and friends, people around us and certainly our own.

Janis Joplin didn't just sing a song, she took it over. She swallowed it whole, then sent it back through her gut and her heart.