What I'm interested in exploring with Clark Kent is when you have the power to do something that goes beyond what you think is the right thing to do and the difficulty of that. Meaning, to be Superman also means to withhold a lot of power. He could reshape the world however he thinks it should be. But Superman doesn't, historically, do those things. He allows a certain level of self-governing and a certain level of independence, I think out of an admiration for humanity. Because he's inspired by the best in us and he challenges us to inspire each other to be the best that we can be.

I really wanted to make sure that if we set Duke up, that he's set up the right way and he's his own hero for the right reasons.

"The Cursed Wheel" is the heart of the whole year on All-Star. All-Star is a series that's largely compartmentalized so that every artist can reinvent a villain and have Batman go up against the villain in a way that's pretty singular.

This one's like that because it's about these things that I think weigh heavily on me in terms of my own failings and the things that I worry about and my personal demons. Is the sum of my personal demons greater than the things that I like about myself? Is this moment - because it's a particulary high tension, scary moment for all of us in terms of the global climate - going to bring out the best or the worst in us?

Jordie Bellaire knows how to tell a story with color.

What Batman is saying is that, "I want to try something new that's more about this era and this moment." And I do think that it speaks to a modern take [as opposed] to a 90s take or a 2000s take being maybe the older program about having a sidekick.

A post-9/11, modern take being Batman training people to be the heroes they know they can be on their own.