First of all, what made him [Duke in "Zero Year"] captivating is this sense of somebody who wants to save the city regardless of whether Batman wants to or not, but has been inspired by Batman. He's always been - not combative with Batman or anything - but I think he has a sense that what Robin is and what heroism is in Gotham is something that's inspired by Batman and sort of separate from Batman.

You take the thing that is the worst thing that could have happened to you, the worst challenge in your life, and you turn it into fuel. You don't give up. And that's what Gotham is about.

The hope that they have legs. That's the biggest fear you always have creating new people. You love them, but then they kind of dissipate. Sometimes you don't get to write them as much as you'd like, like me and Harper Row.

Beware The Court of Owls, that watches all the time, ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed speak not a whispered word of them or they'll send the Talon for your head.

I love The End of the Batman story. I have my original copy, the hardcover, at my house from when I was a kid, whenever that was,'88 or '89. It was very influential to me because it was so explicit in touching on the notion that Batman might be mad and that he might belong in the mad house.

Vampires as creatures have evolved over time as different vampire bloodlines have hit different populations of humans. Every once in a while the blood will make something new and mutate into a new species with different powers, abilities, weakness, physical characteristics, and so on. I don't want to give anything away, but there are whole species and branches that date all the way back to pre-modern times.

On this global stage, Superman is someone that we can all look up to and he's almost kind of ultimately American.