I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.

Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.

Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.

Even if the last move did not succeed, the inner command says move again.

My body was braille for the creeping influences.

Suspect too much sweet talk but never close your mind.

I credit poetry for making this space-walk possible.