In between, I go broke because I seem to do movies where you're not paid a lot as an actor.

Yeah, I had a tremendous time shooting in Nebraska. I like that state a lot, all over it.

One of the things you don't have in Haiti is you don't have anybody on crack doing something completely out of - that's unpredictable. Even at the worst times in Haiti, the violence that had happened, the lack of security that happened, was largely predictable because it was politically tied.

Putting something in a movie because it's in the news doesn't make it political to me. If you're not going outside the same old, same old, if you're not pushing the envelope, then you're not doing anything. A good movie is a political thing.

At this stage, what would be rewarding would be for audiences to want to watch.

I still think photographers should be lashed out at. They should be put in a cage where you can poke them with a stick for a quarter. But not in a hostile way, just for giggles. They really are on the attack against mankind; it's a disease. They should be helped somewhere. But I'd still like to poke them with a stick.

It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.