I'm not a breakfast eater.

Haiti kind of gets a hold of you.

I can't imagine being quite as lucky at any other time - I certainly never have been before. That goes right down from my producing partners to people like Eddie Vedder. But the two things that make me feel that this was meant to be now and not before was that the story itself has more resonance today - I find it a more important story today than it was then - and Emile.

Rebel is just as bad a word as maturity.

I can tell you that my contribution based on my interpretation of the book is unchanged. The other things, in terms of doing the research and following the trail of it, were probably pretty similar to what I would have done then. I think that what makes me celebrate that it took the 10 years is the various other people and contributors that I ended up having on board.

One of the things you don't have in Haiti is you don't have anybody on crack doing something completely out of - that's unpredictable. Even at the worst times in Haiti, the violence that had happened, the lack of security that happened, was largely predictable because it was politically tied.

I can always see light in any situation. It's just the way I'm made.