I don't have any particular excitement about working with any specific director or actor at this point.

You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.

When I was growing up and somebody like Robert De Niro had a movie come out, it was a cultural event. Because he had such a confidence and a single mission that was so intimate.

When you get divorced, all the truths that come out, you sit there and go, 'What the f**k was I doing? What was I doing believing that this person was invested in this way?' Which is a fantastically strong humiliation in the best sense. It can make somebody very bitter and very hard and closed off, but I find it does the opposite to me.

As a foreign worker in Haiti, speaking for myself, speaking for the workers, our organization is about 95 percent Haitian, but even foreign workers driving through, we have had very minimal security issues.

Bukowski said, "I know I'm good, so I like that people think I'm bad, because it gives me a dimension, effortlessly."

I think if you want good things to happen for a country like Haiti, then you need to provide the circumstances where the Haitians can do that.