That difference do you think you can make, one man in all this madness?

The first instinct is love.

In short form I'll say it was an approach to the family and to [author] Jon Krakauer that then led to me seeming to rise to the top of the heap of several filmmakers that were trying to get the rights. And by top of the heap I mean in terms of being somebody that was trusted to do it as they said they were going to attempt to do it and that this way of doing it would be something they would be willing to allow.

I still think photographers should be lashed out at. They should be put in a cage where you can poke them with a stick for a quarter. But not in a hostile way, just for giggles. They really are on the attack against mankind; it's a disease. They should be helped somewhere. But I'd still like to poke them with a stick.

One of the reasons people sell out so quickly is because even the talented think they're frauds. It's a culture that doesn't encourage people to believe in the work they do. You're told to second-guess yourself all the time. That's where I think a little hostility and arrogance can save you. And I've never been lacking for either.

Whatever one considers art to be, there is in many people a hunger to express themselves creatively and to feel authentic in doing that.

That on a romantic level, if you feel it about somebody and it's pure, it means that they do too.