I'm always working on something new and while I'm working, I'm absorbed with my characters, their conflicts,my language and settings. I'm in another place and it is a shock to come out and consider my previous works.
Sefi AttaI had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.
Sefi AttaI don't have much of an imagination, but I have a mind bank of details, which I play with. It's how I daydream, so writing like that is natural for me.
Sefi AttaI always begin [a novel] with outlines, but they change and so do my endings and beginnings.
Sefi Atta