I had stopped writing plays set in villages because they were not relevant to my experiences and I knew my English classmates wouldn't appreciate them.

've had notebooks, but they are nondescript. All I care about is that they fit in my hand. I scribble down ideas. The problem is my best ideas come while I'm driving or showering.

I don't have much of an imagination, but I have a mind bank of details, which I play with. It's how I daydream, so writing like that is natural for me.

I read Macbeth as a secondary student in Nigeria and it was like an African play to me. It had all the right elements - witches, kings and assassinations.

At some point, practicality requires that you reach out to people in the business. You have to take care of business if you value your work.

You don't need attention to write. All you need is passion for your work and an overwhelming desire to tell a story you genuinely care about. Readers can sense your sincerity and it separates you from pretenders.

I can't say L'Etranger influenced me to write, but for the first time I considered the possibility of telling a story that resembled my own experiences in my own voice.