What would seem like an innocuous meat tenderizer turned out to be the biggest fear of every PA and producer - everyone on set. You know, it's dangerous, because you're running around and you're taking close swings at people with something that really could kill them. It's not like you have a gun with no bullets that you're doing cinematically. You actually have a weapon that you're swinging at people.

I have no ego, I'll make fun of myself, and I'll make fun of being humiliated. I get it.

I don't always know how to communicate. I think I get a bit unfiltered and a bit strange to people.

Legally Blonde was a game-changer. That's an American classic. I was so proud to be Vivian Kensington. I still have an argyle barrette. Sophie Carbonell did such an amazing job with the wardrobe - it's just iconic. Yeah, that'll forever be - girls still like it. It's not dated to them. Little girls now still watch it.

Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.

I'm older and have a kid, I like success on my own, but I always enjoyed all my parts playing the fifth wheel. I mean, just loved it. There was such freedom in it and I still got to enjoy watching everyone work.

A Dirty Shame was a crazy movie. I don't understand that movie at all. I don't get it, but I'd work with John Waters again in a heartbeat. He's just a delight.