At home we didnt talk about religion. So gradually the question faded away by itself and disappeared from the agenda. When I was nineteen my father died; my response to his death was atheistic.

I have never doubted the importance of melody. I like melody very much, and I consider it the most important element in music, and I labour many years on the improvement of its quality in my compositions.

My mother had to explain that one couldnt compose a Liszt rhapsody because it was a piece of music that Liszt himself had composed.

I detest imitation, I detest hackneyed devices.

When the Second World War broke out, I felt that everyone must do his share, and I began composing songs and marches for the front. But soon events assumed such gigantic and far-reaching scope as to demand larger canvasses.

I strenuously object to the very word "grotesque" which has become hackneyed to the point of nausea...I would prefer my music to be described as "Scherzo-ish" in quality, or else by three words describing the various degrees of the Scherzo - whimsicality, laughter, mockery.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.