It's natural to me that someone who loved that type of music or that type of spectacle would copy it, to do something, a video. It seems the most natural thing in the world to me.

It's a little hard to avoid putting both war and politics in, in that they both come into the activity, but on their own. My basic idea is to do a great love film set in the hell of 1942. At that moment, hell was Leningrad. Underneath all this, of course, is a film about dissension between the two most important countries in the world, the United States and the Soviet Union. I think it is a must at this point to talk about cooperation instead of the rancor and hatred and competition between nations.

America interests me above all because it is so filled with contradictions, interesting contradictions, which change constantly. Even if you've decided that you don't want to deal with that subject again, before you know it, the desire comes back to do it yet again.

It is clear that the vehicle of the western was a very interesting vehicle for me to contraband some of my ideas.

My life, my reading, everything about me revolves around the cinema. So for me, cinema is life, and vice-versa.

The best photographers are super nice people and that its not a coincidence. Great photographers genuinely like people, and people can feel that. That's what makes people feel comfortable. It is important to appear confident with clients, but it is more important to not be afraid to act like a fool, have fun, laugh and shake your hips to get people comfortable.

I think even in American schools, they must be studying in a specialized manner.