I was born in 1929, and in the 50 years from 1930 to 1980, I've been able to live an unbelievably varied century. Before, you could never have seen such intense change in a 50-year span.

Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.

The important thing is to make a different world, to make a world that is not now. A real world, a genuine world, but one that allows myth to live. The myth is everything.

My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.

There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.

I've always believed that true cinema is cinema of the imagination.

I began to understand that 'America' in reality belonged to the whole world and not just to Americans. The idea of America had already been invented by the philosophers, the vagabonds, the dispersed of this earth, long before the Spanish ships got there. Those whom we call Americans have only rented it for a time. If they behave badly, we can discover another 'America'. The contract can be canceled at any time.