I believe very firmly that indigenous populations had a really good, intuitive understanding of why we're here. And we're trying to gain that same understanding through psychology and intellect in modern civilization.

I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.

Political statements are usually more direct, and it works with the upbeat music as well, for some reason, the directness of your statements.

I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.

I have a more direct avenue to expression as an artist than I ever would as a politician.

When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.

The next song I wrote in Paris years ago in a dream. So I didn't really write it, the universe wrote it. And that's what I believe about music, I believe it belongs to the universe, it comes from there and it's this beautiful energy that we share that transcends normal flash existence and that we inspire each other through.