I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.

I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.

When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

We're addicted to this concept of civilization - we can't imagine living outside of it because we've had it for 10,000 years, all of what we call history. But according to archaeologists, humanity has been on this planet for millions of years in indigenous form.

Nations are like people. Once you understand the interactions between nations, it's easy to understand why things are done, in terms of foreign policy, in a certain way. But nations are not like people in the sense that we are cumulatively represented by others - and their interpretations of what our interests are may not be the same as what they really are. And that's what's dangerous, even in a democracy.

I really feel like civilisation's already over. It's not ending but it's already done. We're all addicted to the concept that humanity equals civilisation and that's not the case. We need a global conversation to be able to decipher how we can live from this point forward. We have to redefine our relationship with our environment.