I love the unexpected and I think that's why documentary is an attractive genre to me because you don't know where it's going to go, so I tend to involve that as much as possible in the production process.

We're all vulnerable, and it's all hackable. If someone wants you and has targeted you, you can be taken down, and that fact is really scary.

I feel like my own background in improv and doing documentaries makes me really comfortable with a situation where you're letting things unfold and you don't have to be a jerk, stomping his feet, trying to get his way on everything.

There's no longer a monolithic evil empire somewhere, spreading a different philosophy of life. That doesn't exist.

I think unintentionally I gravitate towards concepts and topics that hit home or are something real we can all relate to.

There's a dangerous bottom-lining, and super-summarizing that happens in a lot of our press and our media, and sort of our politicians' talking points, that's dangerously simple. I don't know a better way to say it. And there's usually a lot more complicated facts going on than what is quoted and quotable.

I think politicians know how to misrepresent data in order to support a political agenda. Politicians and the people that work for them - I should say - are expert at that.