I discovered shooting and filmmaking around the time all of the software became affordable to anyone with a PC.

I have a healthy amount of humility.

I love the unexpected and I think that's why documentary is an attractive genre to me because you don't know where it's going to go, so I tend to involve that as much as possible in the production process.

I think unintentionally I gravitate towards concepts and topics that hit home or are something real we can all relate to.

There's a dangerous bottom-lining, and super-summarizing that happens in a lot of our press and our media, and sort of our politicians' talking points, that's dangerously simple. I don't know a better way to say it. And there's usually a lot more complicated facts going on than what is quoted and quotable.

I'm really interested in stories about identity - who I am now versus who I used to be.

In film, you get to take your time and make it right. In TV, it's all about the schedule. The train is moving and you sometimes just don't have time to make things right, which is painful 'cause you know it could be done better and you just have no choice.