Making [Pineapple Express] was a blast. I'd kind of gotten to the point professionally where I was pretty emotionally exhausted from making dramatic films.

I feel no sympathy for my food.

One of the big things that we wanted to do was trying to kick out a car window as you're driving after it's been shattered obstructing your view. I mean, that's - I can't count how many movies I've seen that in, and we just thought, you know, like, it could be funny if it just kind of goes wrong and this foot just kind of punctures through the window and gets stuck.

I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."

If there was any drug that was to symbolize the people that ate our heroes, it seems like bath salts was a good idea. It's also a drug that, I think, is still funny to a lot of people.

To me Arthur and James Bond aren't the same because they both drink. So I would kind of equate it to that. They're different guys who both have a similar habit. To me they're very different guys though.

Good comedy doesn't have to be a comedy idea.