Making [Pineapple Express] was a blast. I'd kind of gotten to the point professionally where I was pretty emotionally exhausted from making dramatic films.

I'm a process server, so I have to wear a suit.

I'm a complete coward in real life.

I think people do get better as the movies go on sometimes, and I'm always happy that we're shooting out of order, so it's kind of scattered throughout the movie, and there isn't like a clear build in everyone finding their characters.

Please don't wear skinny jeans if you don't have skinny genes.

The scene with Danny [McBride] and the cake and all of that [in the Pineapple Express], most of that is improvised, I would say. But you would never know, to me anyway, and that's what is always amazing.

Years and years of talking and writing versions of the script [Sausage Party] and looking at various versions of the animations - I mean, it's really a lot of workshopping and trying different things, and using the cast to try different voices and characters. And that's the good thing about animation. Because it takes so long, it allows you to explore in a way that you can't in live-action movies.