We started when we're around 13 writing it - maybe 14. I'm a little older than Evan Goldberg is, like, only like six months. But like, I would say, like, the general structure of the movie, like, the series of events is very similar to what it was when we first wrote it.

It always seems crazy to tell people what to expect. That never works! So, I don't know what to say, other than that they can expect me.

There's something you can get away with when you know you're only going to be on one season. There's no sense of, "We should save that." It's just like, "Use that! Get it out there now. They could shut us down any second!"

I think that, honestly, people's censorship issues are personal but I disagree with most of those personal choices that I see others make. You know, I watch television and there's a grotesque amount of violence on almost every show that you would watch that comes on past 8:00 pm. And I think my dirty brand of humor is far less destructive to a child's mentality.

The biggest challenge [making Pineapple Express] was that we had a comedy budget. We really got excited the more we got into the development of it about blowing stuff up and having shoot outs. That stuff costs money.

After every single take, I laugh. It's my own awkwardness and discomfort about being an actor.

I actually live right near a high school and I always walk by...I live in a high school. I actually live in the boiler room of a high school at night. When I see high school guys now I'm actually like, 'Thank f - king God I'm not in high school anymore because they look like they could kick the living s - t out of me.'