There's something you can get away with when you know you're only going to be on one season. There's no sense of, "We should save that." It's just like, "Use that! Get it out there now. They could shut us down any second!"

It was really fun [on set of the Pineapple Express]. I mean, how could I not have fun? It was exactly what you think it would be.

I hadn't done a comedy for a while. I had directed a very low budget movie called The Ape and it was playing at a festival in Austin. Judd [Apatow] was there and he came and saw it and it's kind of funny.

Those are the movies that we [with Evan Goldberg] always wanted to make. Pulp Fiction, Reservoir Dogs, the kind of movies where violence and comedy and characters kind of work together really well.

To me it's a mystery that you can show the horrific things in the movies, but not some sexual stuff which everyone does.

I've never had something - like, you know, drunk people have tried to do that to me, and I instantly shut it off. I say, don't to this, dude; you'll feel terrible about this later. It'll be - I'll bring it up all the time; I'll make fun of you. Just save yourself the embarrassment and don't do it.

You want to create an environment where we're fostering ideas, not rejecting them.