There's something you can get away with when you know you're only going to be on one season. There's no sense of, "We should save that." It's just like, "Use that! Get it out there now. They could shut us down any second!"

We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.

Every time I improvise I'm aware that I could be ruining what it is that we're doing and we'll just have to do it again.

Really, if I'm honest, sci-fi is where my sensibility instinctively goes - I'm a big comic-book fan.

In my sick brain, gruesome violence and comedy go as hand-to-hand together as anything else in the world.

I feel much more comfortable as a writer than an actor. I feel like I am a much better writer than I am an actor.

It's not dying you need to be afraid of, it's never having lived in the first place.