I've never had something - like, you know, drunk people have tried to do that to me, and I instantly shut it off. I say, don't to this, dude; you'll feel terrible about this later. It'll be - I'll bring it up all the time; I'll make fun of you. Just save yourself the embarrassment and don't do it.

I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.

We originally actually wrote Franco's part [in the Pineapple Express] for me and the part I ultimately played just for someone else in general. Then when we got Franco involved we thought it was a good idea to switch the roles. I think it worked really well.

I don't think all of my ideas are good. It's almost easier when people are critical of you because it helps with the quality control.

[ I watched ] Spicoli in Fast Times, which isn't exactly a stoner movie, or The Big Lebowski, which I think is more than a stoner movie or Brad Pitt in True Romance.

I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.

It was a great time. We did hurt ourselves [on Pineapple Express set]. [James] Franco cracked his face open.[Danny ] McBride cracked the back of his head open. I punched Amber[Heard] in the face just to get her in the mood for things. 'Welcome to the set!' But it was a lot of fun. I loved it.