The real trouble with the doctor image in America is that it has been grayed by the image of the doctor-as-businessman, the doctor-as-bureaucrat, the doctor-as-medical-robot, and the doctor-as-terrified-victim-of-malpractice-suits.

Americans ought to be the best-traveled, most cosmopolitan people on earth, not only because experience of the world is desirable in its own right, but because as a people acquires a great concentration of power, worldliness becomes a moral imperative.

In a nation of celebrity worshipers, amid followers of the cult of personality, individual modesty becomes a heroic quality. I find heroism in the acceptance of anonymity, in the studied resistance to the normal American tropism toward the limelight.

The notion that the great artist requires a great patron has been around since the Pharaohs. That the born patron also needs an artist to patronize is a less-studied phenomenon.

The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?

Californians tend to be outspoken. When the great migration began, the more timid people must have stayed home, and the bolder ones headed west.

Rome's riches are in too immediate juxtaposition. Under the lid of awful August heat, one moves dizzily from church to palace to fountain to ruin, a single fly at a banquet, not knowing where to light.