Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold.

I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.

Going to UCLA, as far as I'm concerned, afforded me two things. One was the advantage of meeting friends and getting to know a group of guys I hung out with, was chummy with. All of us eventually had success with film. Making films, cutting our own little movies together, 3 in the morning going out and shooting stuff, finding gels that people had thrown away, making our own lights. It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me.

I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it.

I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."

I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it. It's like, "Put on some makeup, make me look good. Okay, now I'm going to roll my shoulder." Part of me still feels like, "Wow, that's weird for a man to do."

Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.