I had my group of friends, and they stayed my group of friends, they were good about that. We all started to succeed at the same time, so that sort of took the curse off it. I didn't have a bunch of people scowling at me and being potentially jealous. I just had good friends who I was able to help, and they helped me. Yet it eventually came to feel debilitating.

I owe a great deal of thanks to this man who will be gracious enough to say I've helped him with his career and comeback, but it's every bit the opposite.

I've turned down lots and lots of work. Things that could have made me some money.

I think it's an obligation to make a movie full, so you have to see it twice to get all the moments.

I think it's very admirable, in a superhero movie, to be able to take a few risks.

I wrote all the time, but the idea of doing it professionally seemed like pie in the sky. Who gets paid to write? I grew up in Pittsburgh, so it wasn't really a notion that a lot of people pursue.

The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.