I had/have a habit of sending books out before they're ready. And then I edit with almost absurd intensity. But I've done about a book a year.

I do try to incorporate particular rhythmic and generally sonic motifs I discover in music as such, and if one thinks of language in a narrow sense, that, perhaps, suggests a possibility for a rhythmic sensibility that enters poetry from outside of language.

There's no such thing as an animal too big too kill, AND we're cornered by such animals every day.

A white noise app wouldn't work for me - I would be too distracted by the non-white noise noises I could still hear, even more distracted than i would otherwise be. So I have to just accept the regular noises.

I love to read long books. I enjoy experiencing that extension. But it's not something I feel comfortable with and not something I think I can gain comfort with by practice. It was a real struggle for me while writing memoir to get past three pages or so. In poems, I can write long poems. But length in prose: no.

I like having a phrase lying around to get poems started. It's like having a key.

I learned to write with my desk in the living room, next to the TV. But mostly in my head, and I try to be able to do it under any circumstances.