I mean, we shoot differently, we cut differently, our stories are different . . . I'd say that every single thing is different except for the fact that you watch it on a TV or a computer or a phone, just like you do with everybody else's content.

Every generation has a changing of the guard in media. We do the same stuff that everybody else does, but we just do it differently. We do our content online differently. We do our magazines differently. We do our TV differently. We never had anyone tell us how to do magazines, so we just developed it in a different way.

If you go to Jamaica, you're going to these all-inclusive resorts where they're playing calypso and a bit of reggae or whatever. But if you go to Kingston, it's run-and-gun battles in the streets, it's abject poverty, it's incredible violence - and then also the best parties in the world. But if you're white, you can't really go. I'd rather know the real deal than be playing in the sand.

Sundance Supply has a neat material calculator and free greenhouse designs-Great Prices!

Success. Money. Fame. Whatever you're going after. You have one kick at the can, I always say. It's very rare that you have many kicks at the can. You're there at the right place at the right time, you have your shot, and it either works or it doesn't. And I've had many shots.

I woke up. I was like, "Look, you can do anything you want - and you want a lot of things, so you should get to work."

I came to America from Canada because Canada is stultifyingly boring and incredibly hypocritical.