The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.

...Speaking of, I've been playing with the letters - Lovers In a Very Enlightened Regard." "LIVER. Good one." "Also, how about Life Invasion Via Exceptional Respect?" "Life Invasion. Like it." "Or Lovelike Intensity Via Emotional Rapport." "Doesn't that spell OLIVER?

Writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

He would never abandon her, never leave a gaping hole, and even if he died someday, he was preserved like a lab specimen from all the alcohol he imbibed, so he wouldn't look or act much different.

Am I the moss on your bark, then?" Ani asked. Enna grabbed her around the waist and shook her affectionately. "You're the mossiest girl I know.

Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.

It is a truth universally acknowledged that a thirty-something woman in possession of a satisfying career and fabulous hairdo must be in want of very little