Finn leaped from his horse to greet Enna, and she entwined herself into him, their arms around each other, their faces close. Thoug they did not kiss, Rin thought that the way they looked at each other was even more intimate. 'Let's get married,' Enna was saying with yearning in her voice. 'Please, let's get married right now.' Finn put his face into her neck and whispered something that made her hum.

You're from where?" "Lay'en. It's near Salt Lake City." "Spell that for me." "Um, that would be S-A-L-T-" "No, the other one. The city you're from." "Oh. L-A-Y-T-O-N." "Ah-Lay-ton." That's what I said." "No you didn't. You just said, 'Lay'en.'" "So I did. But just go ahead and pronounce 'aluminum' for me, Mr. British Man. How are you going to defend that piece of insanity? Why don't you spell it and count syllables and see if your al-um-in-ium makes sense whatsoever?" He bowed his head. "Touch...

But in a country where you hang your dead up on walls and pride whether or not a man bears a javelin more than his character, how am I to persuade you out of a war? It would be suicide for Kildenree to war on Bayern and butchery for Bayern to attack Kildenree. If you don't believe me, then send me back. Or if you don't trust me to leave, I'll return to my little room on the west wall and tend your geese, and you can be sure that on my watch no thieves will touch my flock.

There was a burst of laughter so sudden Miri jumped to her feet in alarm. Bena and Liana had pushed Peder out of the bed and onto the floor. He in turn leaped on Liana's bed, clinging to it and laughing as the girls tugged at his ankles. "So, are you two betrothed?" Katar asked. "No," Miri said shortly "Ohh." Karter smirked, one eyebrow raised, and she looked altogether more like her old self. "It appears I stumbled upon a topic of conversation even more dangerous than revolution.

She was born Anidori-Kiladra Talianna Isilee, Crown Princess of Kildenree, and she did not open her eyes for three days.

I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.

I couldn’t remember the last time I had stayed up into the squeaky hours of the night because I couldn’t put a book down, and that was a tragedy.