In every take, that you're not sure of what they're going to cut and paste together and what the arc or the purpose or the intention of your character's journey will be in the story. You don't have control. Sometimes that's wonderful, and sometimes that can be scary.

If money is the only plus, I will always say no. But, if there's more, than I'm down.

I did a film called The Jesuit, which was an independent film. I did that shortly after Mistresses. I was still feeling soft and I was nursing, but it was a character I'd never played before. That was a Paul Schrader script, with an up-and-coming Mexican director, named Alfonso Ulloa. That has Tim Roth and Paz Vega in it, and I enjoyed that, as well.

Supporting a family and financial necessity aside, what I want is to read it and just have that feeling in your chest that you know you need to do it and you understand how you could get there, even if it scares you.

I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it.

Someone pays me a hundred bucks every Tuesday to DJ. I don't think I'll ever give that up.

I see in my friends that don't have kids, when they come over, and the amount of times our conversation gets interrupted by my children. It's almost jarring.