Working in any country where you want to talk about the kind of issues that other people don't want to talk about is difficult.

I grew up listening to my grandfather's stories of our musical past. He would often talk about the orchestras that played at concerts and the musicians who played on Sunday evenings on street corners. By the time I grew up in the '80s, all of this was a thing of the past. I lived vicariously through his stories and often wondered what it would have felt like to have been part of his generation.

My advice to other female directors would be to pay no heed to naysayers. Women can be united in the fact that there has always been someone in our lives who has told us "it can't be done" or "there is only so much you can do." We are constantly encouraged to think that being born a woman means we were born with limited choices and compromised dreams.

There were a lot of unique challenges in producing the film, such as the logistical issues inherent in producing a long-term verite film in Pakistan, dealing with Urdu and Punjabi dialogue with an English-speaking editor and all the difficulties in recording, editing and clearing so many music tracks.

I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.

I think perhaps Pakistan can take the lead. Perhaps Turkey can as well, being part of Europe. But someone has to start talking about why the Muslim world has become a boiling pot and look beyond these cartoons to what the ideological reasons are for this divide.

What good is my parents' wealth and education and upbringing if I'm not contributing to the world?