A person isn't a bird. You can't cage a person.

In many of my books, I explore the ways in which grandparents or other older persons are shaped by the young, and the young are shaped by the old, in an evolving dance.

I was wishing I was invisible. Outside, the leaves were falling to the ground, and I was infinitely sad, sad down to my bones. I was sad for Phoebe and her parents and Prudence and Mike, sad for the leaves that were dying, and sad for myself, for something I had lost.

I cannot just write a frivolous book, a la-di-da book. Everything isn't la-di-da. There is something that's going to pull you up short. I want to reassure young readers. I want to comfort them, to not fear the unexpected.

On that night after Phoebe had given her Pandora report, I thought about the Hope in Pandora's box. Maybe when everything seemed sad and miserable, Phoebe and I could both hope that something might start to go right.

It seems to me that we can’t explain all the truly awful things in the world like war and murder and brain tumors, and we can’t fix these things, so we look at the frightening things that are closer to us and we magnify them until they burst open. Inside is something that we can manage, something that isn’t as awful as it had a first seemed. It is a relief to discover that although there might be axe murderers and kidnappers in the world, most people seem a lot like us: sometimes afraid and sometimes brave, sometimes cruel and sometimes kind.

Don’t be in too much of a rush to be published. There is enormous value in listening and reading and writing—and then putting your words away for weeks or months–and then returning to your work to polish it some more.