I don't want you to understand the details. To feel how it feels, you just have to be on the ground with the people. That's where photojournalists have a lot of magic.

I think that covering a conflict that is personal, that influences your very own, your family, gives you some perspectives.As a journalist, when I fly in, I care about every place I go including conflicts.

Something that is appealing is wars are terrible and ugly and hard and each conflict is different, but of every conflict I've ever gone to, I've also seen people being extraordinary in a good sense. It's not just a black and white extreme situation that pushes people to extremes and they do crazy bad stuff. You also see crazy brave stuff. You see humanity in a different light.

Unfortunately, conflicts have always been there and they don't seem to be stopping. I'm a journalist and a photojournalist at heart, and I think that we have to be there always to cover it.

I think people were very skeptical always when they said, "Oh docs, they don't work. When you make depressing docs that don't have 'save this or save that,' they just can't do well." I fought very hard to say, "No. This is important. I think people care and I think it's interesting." I hope people go see it.

I don't want you to understand the details. To feel how it feels, you just have to be on the ground with the people. That's where photojournalists have a lot of magic.

It's always harder than you think to make a good film. Feature films are a hell of a marathon to say the least. It's kind of your endurance. How much can I push? How much do I care? How much time it takes is a nice reminder.