I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.

The payment for sins can be delayed. But they cant be avoided.

I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.

I've spent a lot of time thinking about what the audience would want. That's my job, is to anticipate ahead of the audience.

Everyone in Hollywood who is successful becomes less successful at some point. I'm just trying to delay that fall for as long as I can.

I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.

I don't want my writing to be recognized.