There are times when things are clear in your head and your heart and everything comes all aligned and it's easy and it just feels good to do something. But most of the time it's not like that. Most of the time there's conflict between your head and your heart.

There are certain people who do not feel like they were raised by wolves, and they are the ones who make the world tick. They are the ones who keep everything functioning so the rest of us can worry about what sort of person we should be.

You have to know where the funny is, and if you know where the funny is, you know everything.

Literature and art are one of a number of relationships I have with the world. Like you have relationships with your friends and a relationship with your lover and your relationship with your family and your relationship with your work - sometimes it's really great; sometimes it's non-existent, sometimes it's fruitful.

I spend most of my time in my head. You can always work out solutions and satisfactions there. Maybe you can't actually bring them about, but there's usually a pleasant pillow of time between imagining you can, and realizing you cannot.

When I'm editing, I try to bring out some dramatic structure. I think it is about theater in some way; it is a little play.

We don't know the effects we have on each other, but we have them.