I think that what led largely to Trump's election was the manifestation of the too-common mindset that facts don't matter; in other words, "manifest destiny" - the truth will not penetrate the barriers of our ideology if the truth doesn't sit well with our predispositions.

Creating is about sharing ideas, sharing aesthetics, sharing what you believe in with other people.

The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.

Art shows and the institutions end up being the couriers for culture for the next generation and are an important component as well. It may seem ironic from one perspective, but I think if you look at my overall strategy, it's actually not out of step.

I think "punk" should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.

As a street artist, I'm used to sharing my stuff with the public. It's a communal experience. I've learned not to be so precious, but rather to enjoy the process.

Skateboarding has always been and continues to be creative and rebellious. Art and design are an extremely important part of skateboard culture, even if it's not recognized by the more elitist or pretentious members of the art world. Skateboarding itself requires creative adaptation to the streets and obstacles. My background as a skateboarder helped me to be a better street artist because I was already conditioned to look at the terrain opportunistically.