The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.

The Internet hasn't had a chance to really get to where people look at it with the proper level of scrutiny. There's so much bullshit on the Internet. It doesn't get filtered out because it's such a new medium.

The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.

I might be botching this quote but I agree with the idea that a measure of society is not how it treats its most powerful but how it treats its most vulnerable, including the poor and incarcerated and - I would add to that - the people whose ideas are not currently in favor.

As a street artist, I'm used to sharing my stuff with the public. It's a communal experience. I've learned not to be so precious, but rather to enjoy the process.

The world has lost a great musician who will always be an inspiration to me and those at OBEY GIANT.

I think the freedom to express one's views is more important than intellectual property.