I'm mischievous. The idea of taking risks and having real-world consequences energizes me.

I do think that copyrights and intellectual property are important - it's important to be able to keep people from making verbatim copies of a particular creation that could somehow hurt the creator. If I spend time conceiving and making a piece of art and somebody else sees that it has market value and replicates it in order to steal part of my market, then that's not cool.

I think the biggest thing that people fear when it comes to art becoming a business is those authentic, pure aspirations of art being compromised.

I want to be proud of this country [the USA], but when aspects of our policy don't align with my ethics, I want to protest them and try to change them. Being complicit because it's the home team is nationalism, not patriotism.

Every spoof gives more power to the original.

There's good and bad in every arena. It's funny, some people, the reason they're in the underground is because they're lazy and don't make things happen for themselves.

The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.