I don't agree with most forms of censorship, and I especially don't agree with the idea that one needs to be from the same cultural, ethnic, or religious background as the subjects they portray in order to be qualified to portray those subjects. I believe that compassion and empathy should cross all of those category barriers, and the conversations art creates can be inflammatory initially, but I think are most often constructive and healing in the long run.

The way I make art, the way a lot of people make art, is as an extension of language and communication, where references are incredibly important.

I try to find a balance between positivity and negativity, celebration and critique in my work; I think there is room for both.

The way I make art - the way a lot of people make art - is as an extension of language and communication, where references are incredibly important. It's about making a work that is inspired by something preexisting but changes it to have a new value and meaning that doesn't in any way take away from the original - and, in fact, might provide the original with a second life or a new audience.

Just because you've reached a certain level of success, that doesn't mean you've become corrupted by the system.

I hate to say Americans are ignorant and lazy, but a lot of them are ignorant and lazy. It's just like what I was talking about with Rebel Music and art. When you live in a place that has a lot of good things that make life easier, it's easier to take them for granted. But what frustrates me to no end are people who want to blame Obama or blame anything that is something that if they were actually doing anything as simple as voting, it might not be as bad as it is.

The great thing about the Internet is, it has made it easier for people who are clever and resourceful to promote themselves.