When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.

Creating is about sharing ideas, sharing aesthetics, sharing what you believe in with other people.

The great thing about the Internet is, it has made it easier for people who are clever and resourceful to promote themselves.

The Internet hasn't had a chance to really get to where people look at it with the proper level of scrutiny. There's so much bullshit on the Internet. It doesn't get filtered out because it's such a new medium.

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.

The world has lost a great musician who will always be an inspiration to me and those at OBEY GIANT.

I said, ok, I'll pay the licensing fee it. And [the AP] said, no, we want to claim damages. I said damages? Because of my poster the Mannie Garcia picture is now worth more than it ever would have been.