Oh yeah, I'm the president of the lucky club. There are so many talented people who don't work. And the crop of young actors I'm surrounded by is incredible. When you have people like that around you it amps you up a little bit. Also, Emile Hirsch and Joseph Gordon-Levitt, or guys like Ryan Gosling. It's a really good crowd and I feel I'm coming up at a good time. But equally, there's a lot of good young actors who don't get to work who are more talented than I. I'm just lucky.

Comics, for me, is being able to sing alone in the shower. I find it freeing. You just pick up a pen and get to it.

There's beauty in people who reinvent themselves. Actors live a thousand lives, as do hackers ... the personality can play around forever.

Child actors become types. The cutesy type, the funny type, the dark type. Any time you're a type, your career's over. It's not been effortless for me; I've had bumps in the road, you know? I was in Dumb And Dumberer. It's not been a flawless thing so far. But all in all, I'm proud of it. Most proud of it because of the diversity. Because the genres are different.

I was the only white kid in my neighborhood for most of my youth even in high school, so reverse racism was just as apparent as racism.

I've learned a great deal about a certain type of filmmaking. But I have ambitions toward another type of filmmaking that I haven't been allowed to engage in yet.

I was doing stand up comedy when I was 11, that's how I got started; not because I wanted to do comedy, but because we were broke, living in Echo Park in Downtown Los Angeles, from 1986, I saw the Rodney King riots; my parents didn't really work. But I wanted a new backpack, that's how I got into this business - I wanted a new backpack.