I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.

When you look at golf films before us they're all - garbage or satire. A lot of sports films tend to vilify the opposition. Where the opposition becomes this big angry monster, so big you can't beat him.

It's good filmmaking when you don't have to say anything and you can still tell the story.

Old Americana vintage gangster stuff has a fantastical feel; it feels less dirty in a way. It feels like the opera of crime.

My first car, I got it in an auction at my temple. It was an '86 Volvo that I got for 500 bucks, and then wound up throwing $10,000 into the stereo system and put TVs in the foot rests. It was the most ridiculous Volvo you'd ever seen, but I had never had money before and I was out of my mind.

I want my audience to know me for my work, not because of who I'm dating or what drugs I'm on or what club I went to.

Talent is to actors what luck is to card players. Its not really anything; its just a fictitious word that people have created and labeled things. Talent is like, you know, I never really believed in talent, I believed in drive and determination and preparation, but talent is sort of like luck.