Every Iranian artist, in one form or another, is political. Politics have defined our lives.

The idea of feeling displaced, and never feeling safe anywhere in the world, where you always feel like you're safer if you're over there, is not just my experience. If you went to Iran today or an Iranian came to America today, or the fact that there are bombs exploding everywhere, there's just a tremendous sense of fear and feeling a desire for security.

Art is no crime. It's every artist's responsibility to make art that is meaningful

Magical realism allows an artist like myself to inject layers of meaning without being obvious. In American culture, where there is freedom of expression, this approach may seem forced, unnecessary and misunderstood. But this system of communication has become very Iranian.

My mother is my last point of security in relation to my past, and if that breaks, I will not ever have that type of pure love or pure attachment.

I think every one of us dreams, and we know what the quality of a dream is. In many ways, the reason dreams are so - mine are a little bit nightmarish, is that it's when you're really naked and can really face the things you don't face in reality, your darkest anxieties.

Part of me has always resisted the Western clichéd image of Muslim women, depicting them as nothing more than silent victims. My art, without denying 'repression,' is a testimony to unspoken female power and the continuing protest in Islamic culture.