In short, for me - I'm kind of projecting onto you - distraction has become a modus vivendi, a way of life. Rather than complaining, I am recognizing that I couldn't do what I wanted to do because I'm distracted.
Shirley Geok-lin LimFree verse is chained in sentence-to-sentence links and breaks free in line breaks.
Shirley Geok-lin LimThe Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
Shirley Geok-lin LimSometimes the taproot and the vines are far apart. Like English and the Asian poem.
Shirley Geok-lin LimThe poem might come to you as you're preparing to teach a lecture, right? And when you say, "no" to that occasion, that poem is gone.
Shirley Geok-lin Lim[Irony] has everything to do with what Tillie Olsen so powerfully imagined in her short story, "As I Stand Here Ironing" and elaborates on polemically in her 1978 book, Silences, in a chapter first delivered as a talk in 1967. As Olsen clearly saw it for women, my not being a writer was a material consequence of my being a woman - a wife, mother, housewife, and a certain kind of feminist teacher - attentive, one-on-one, face-to-face, nurturing, the kind who receives high ESCI evaluation scores from undergraduates and graduate students.
Shirley Geok-lin Lim