[Irony] has everything to do with what Tillie Olsen so powerfully imagined in her short story, "As I Stand Here Ironing" and elaborates on polemically in her 1978 book, Silences, in a chapter first delivered as a talk in 1967. As Olsen clearly saw it for women, my not being a writer was a material consequence of my being a woman - a wife, mother, housewife, and a certain kind of feminist teacher - attentive, one-on-one, face-to-face, nurturing, the kind who receives high ESCI evaluation scores from undergraduates and graduate students.
Shirley Geok-lin LimAt a certain point, the struggles with teaching and mothering and so on and so forth, those decline, those lessen.
Shirley Geok-lin LimThe consciousness of one's physical self had to be repressed because, socially, the female body was so visible, an ongoing provocation and incitement of specular curiosity and fascination.
Shirley Geok-lin LimCrows appear in many of my new unpublished poems. In these walks, they take on a symbolic life apart from their irritating, undeniable, interruptive presence. I figure them differently.
Shirley Geok-lin Lim