I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains no pertinent facts.

I was wondering about my eyes; one of my eyes--the left--saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.

I cannot find any patience for those people who believe that you start writing when you sit down at your desk and pick up your pen and finish writing when you put down your pen again; a writer is always writing, seeing everything through a thin mist of words, fitting swift little descriptions to everything he sees, always noticing. Just as I believe that a painter cannot sit down to his morning coffee without noticing what color it is, so a writer cannot see an odd little gesture without putting a verbal description to it, and ought never to let a moment go by undescribed.

I was thinking, I could turn him into a fly and drop him into a spider's web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly; I could wish him dead until he died.I could fasten him to a tree and keep him there until he grew into the trunk and bark grew over his mouth. if he was under the ground I could walk over him stamping my feet.

It watches," he added suddenly. "The house. It watches every move you make.

I have always loved to use fear, to take it and comprehend it and make it work and consolidate a situation where I was afraid and take it whole and work from there.

I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.