I can't help it when people are frightened," says Merricat. "I always want to frighten them more.

The idea of a series of items, following one another docilely, forms the only possible reasonable approach to life if you have to live it with a home and a husband and children, none of whom would dream of following one another docilely.

I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.

In the country of the story the writer is king.

Oh Constance, we are so happy.

[L]et my reader who is puzzled by my awkward explanations close his eyes for no more than two minutes, and see if he does not find himself suddenly not a compact human being at all, but only a consciousness on a sea of sound and touch . . .

She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one's childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.