Over-length is one of the things that most often results in the destruction of the movie in the cutting room.

There are no minor decisions in movie making. Each decision will either contribute to a good piece of work or bring the whole movie crashing down around my head many months later.

All great work is preparing yourself for the accident to happen.

While the goal of all movies is to entertain, the kind of film in which I believe goes one step further. It compels the spectator to examine one facet or another of his own conscience. It stimulates thought and sets the mental juices flowing.

Good style, to me, is unseen style.

There are no personal revelations other than feelings arising from the work itself

Everything becomes creative if the person doing the job is